Current time in Tokyo: July 23, 8:32 p.m.
July 23, 2021, 7:32 a.m. ET
Those Hanten are worn in modern times for summer festivals.
July 23, 2021, 7:30 a.m. ET
Acrobatic carpenters are now rolling out five large wooden circles. What could those possibly turn into? No prize if you guessed the Olympic rings.
July 23, 2021, 7:29 a.m. ET
Previous directors of the ceremony have acknowledged that their most important audience is the millions and millions watching on TV, not the tens of thousands in the stadium. That is even more true this year, as each performance ends to some tepid applause from a handful of media and volunteers. Hopefully, those at home aren’t noticing the difference all that much.
July 23, 2021, 7:29 a.m. ET
Officially, the carpenter costumes reference Hanten jackets, worn during the Edo period.
July 23, 2021, 7:28 a.m. ET
Without explicitly mentioning it, the lone dancer on the platform at the center of the oval with waves of light circling around the stadium during the moment of silence evoked the victims of the 3/11 earthquake, tsunami and nuclear disaster.
July 23, 2021, 7:27 a.m. ET
Looks like they are building platforms for a summer festival, with a soundtrack of Taiko drums.
July 23, 2021, 7:26 a.m. ET
These are pretty fancy carpenter’s outfits.
July 23, 2021, 7:26 a.m. ET
This is vigorous and fun. An early highlight.
July 23, 2021, 7:26 a.m. ET
It’s time for a salute to ... woodworking? Yes, there are dancers dressed as carpenters and the sound of their tools blends into tap dancing.
July 23, 2021, 7:25 a.m. ET
The announcer is asking people to take a moment to acknowledge all the people who died during the coronavirus pandemic and those who have died during the Olympic Games. She then mentioned the murders at the 1972 Olympic Games in Munich, when terrorists took Israeli athletes hostage and 11 members of the team were killed. A moment of silence followed.
July 23, 2021, 7:24 a.m. ET
A lot of modern interpretative dance going on during this ceremony.
July 23, 2021, 7:23 a.m. ET
Holding these Games during the pandemic has been highly unpopular among a broad portion of the Japanese public — including the several hundred who are gathered just across the street from Olympic Stadium. They are chanting and blowing whistles in protest, and the stadium is quiet enough that they are clearly audible during quiet moments of the ceremony.
I walked all the way around the main concourse ahead of the show and what did I see? Virtually nothing!
The news media has been consigned to one corner of the stadium, with print reporters working at tables and television reporters doing their live shots in the adjacent sections. Security guards milled around, looking bored. Photographers gathered in a few areas, chilling in the seats while they waited for the ceremony to begin. Ticket turnstiles, which would have ushered in more than 60,000 spectators in prepandemic times, sit unused.
From my seat, the stands don’t appear completely empty, though, because the arena’s seating is a motley collection of dark green, white and light green, presumably a design decision to make it look as if empty seats are occupied by people. Trust me: They are not.
July 23, 2021, 7:20 a.m. ET
That is some dress on the singer Misia. She looks sort of like a cross between a super-swan and a cloud.
July 23, 2021, 7:20 a.m. ET
The singer of the national anthem of Japan is dressed in a gown whose skirt reminds me of kakigori — shaved ice. And the pace is the solemn mood we were promised by the organizing committee's president, Seiko Hashimoto.
July 23, 2021, 7:18 a.m. ET
After that first section of the ceremony, applause came from one area of the stadium — the area where about 1,000 V.I.P.s like International Olympic Committee President Thomas Bach are sitting. They are the ones who pushed for this Olympics to happen and, despite resistance by many Japanese, they got their way.
July 23, 2021, 7:17 a.m. ET
Does anyone else wonder if we are hearing authentic applause or piped in soundtrack?
July 23, 2021, 7:16 a.m. ET
I feel sorry for the athlete/performer jogging painfully on the treadmill. I guess she is meant to represent lonely effort in the face of overwhelming odds, but she just looks like a tired person on a treadmill.
As a child, Emperor Naruhito attended the 1964 Tokyo Olympics to watch his grandfather, Hirohito, declare open the Games. This year, Naruhito — now emperor himself — will fill his grandfather’s shoes when he announces the official start of the event. But that similarity aside, the 1964 Olympics was a very different Games for a very different Japan, as my colleague Motoko Rich wrote on Thursday.
Ahead of this year’s event, the feeling of national pride that characterized the ’64 Games has been replaced by a feeling of national dread about the possibility that the world’s biggest sporting competition could become a coronavirus superspreader event. That sense of trepidation seems to have extended even to Naruhito himself. As emperor, he mostly avoids making any direct remarks about politics. But his top aide caused a stir in June when he told reporters that Naruhito felt “concerned” about holding the Games during the pandemic.
Local news reports ahead of the ceremony suggested that Naruhito would take a somber tone in his opening remarks. Unlike his grandfather, he will avoid using the word “celebration” to kick off the event, according to a report by Kyodo News.
Naruhito is the third Japanese emperor to open an Olympics. In addition to the 1964 Summer Olympics, Emperor Hirohito also opened the 1972 Winter Games in Sapporo. His son, Akihito, presided over the start of the 1998 Winter Olympics in Nagano.
July 23, 2021, 7:13 a.m. ET
His Majesty the Emperor Naruhito is introduced along with Thomas Bach, the International Olympic Committee president. Incredibly, they are given equal billing, Bach is introduced, as always, as an Olympic fencing champion. He’s been dining out on that title since 1976.
July 23, 2021, 7:13 a.m. ET
The emperor, Naruhito, is the grandson of Hirohito, the emperor who surrendered at the end of WWII and opened the 1964 Olympics in Tokyo.
July 23, 2021, 7:11 a.m. ET
Victor, can you describe what the performers are wearing?
July 23, 2021, 7:10 a.m. ET
From home, this video is incredibly moving. There’s a quick montage of images from Tokyo’s Olympic journey, from the time the city was awarded the games to the ecstatic scenes on New Year’s in 2020. And then, emptiness, and scenes of athletes training alone, in their yards, in their rooms.
July 23, 2021, 7:08 a.m. ET
An athlete runs on a treadmill. Others join her on the floor. Next, dancers supposedly “convey the inner workings of the body and the heart.” Let’s just say the show is abstract so far.
July 23, 2021, 7:07 a.m. ET
My colleague Talya Minsberg just clapped, once, and not particularly loudly.
We could hear the echo across the stadium.
The ceremony begins in one minute.
July 23, 2021, 7:06 a.m. ET
The ceremony begins with a video. To be honest, it’s a little murky. Let’s see what the official program says: It portrays “that all things emerge from a single point, springing forth from the rich, inherited birthing ground of life and time.”
Ok, so it’s going to be that kind of ceremony. Here we go.
If you’re looking for Simone Biles, the American face of these Olympics, you won’t find her in the stadium as the United States team appears. Biles and the rest of the American gymnasts aren’t marching.
The women’s team won’t be walking because it is “focused on preparation,” said Meredith Yeoman, a spokeswoman for U.S.A. Gymnastics.
The women were so focused on Friday, in fact, that after practicing at the Olympic venue they took no questions from reporters afterward, as other athletes did. Instead, they walked right by single file, with Biles in the lead.
July 23, 2021, 6:55 a.m. ET
As the skies darken, the field of the stadium is as bare as most of the stands. The lone sight at the moment is a stylized Mount Fuji, topped by ... could that be the Olympic cauldron? We’ll see soon. Or at least we’ll see after several hours of speeches, performances and a parade of thousands of athletes.
July 23, 2021, 6:52 a.m. ET
The ceremony is about an hour away and the feeling here should be electric by now. Fans dressed gear representing countries around the world should be in the stands doing the wave. The concourse should be packed with people grabbing food at the concessions. Instead the ambiance feels more like we’re in an auditorium waiting for a middle school play to start. Totally awkward and flat.
July 23, 2021, 6:51 a.m. ET
Good evening and konbanwa from Tokyo! Normally with a few minutes to go before an Olympics opening ceremony, the stadium is buzzing as happy fans anticipate an exciting celebration and the 18 days of sport ahead.
But inside Olympic Stadium tonight the atmosphere is simply dead. Some piped in pop music seems more mournful than joyful. With the exception of a few hundred news media members and some local volunteers the 60,000-seat stadium is empty.
Opening ceremonies are an opportunity for the Olympics’ host nation to show the world what it’s all about. In extreme cases, a flawless spectacle, like Beijing pulled off in 2008, can help define global opinions of a country for years.
With Tokyo in a state of emergency and just 950 spectators filling a stadium built for 68,000, Japan was already under a lot of pressure to pull off a memorable ceremony. But a series of high-profile scandals involving the event’s creative leadership have revealed an ugly side of Japan that the country would have preferred was kept offstage.
The event’s creative director, Hiroshi Sasaki, resigned in March after comparing one of the country’s most popular female comedians to a pig. Last week, the ceremony’s composer Keigo Oyamada, also known as Cornelius, resigned after decades-old interviews surfaced in which he vividly described abusing disabled classmates. His musical compositions will not appear in the ceremony.
And on Thursday, Japan’s Olympic Committee fired a second director, Kentaro Kobayashi, after footage emerged of him making fun of the Holocaust as part of a comedy routine in the 1990s.
The show will still go on despite Kobayashi’s resignation, organizers said. But the last minute changeup seems certain to increase the pressure for a perfect performance.
Where is the United States marching in the parade of nations? If this is in alphabetical order, why is Yemen coming right after the A’s? And why is Russia getting a prime position?
The order of the parade of nations varies almost every Olympics. The sequence is determined by history, language, and sometimes other factors.
The first to enter the stadium is always Greece, because the ancient Games originated there back in 776 B.C. This year, the second team to enter will be the special team of refugee athletes the International Olympic Committee has put together. The team goes under the name “I.O.C.,” and in Japanese script that ranks ahead of every other nation alphabetically.
Coming in just behind Greece is also a nice honor for refugee athletes who, after all, have faced significant challenges even making it to the Games. But the third team to enter does not generally prompt similar sentimental reaction among fans globally.
Russia has been banned from the Games because of its state-sponsored doping program. But Russian athletes may still compete, just not as “Russia” or behind the Russian flag. Instead they will be known as “R.O.C.,” for the Russian Olympic Committee, and that ranks second alphabetically.
The nations of the world follow based on the Japanese alphabet. For English speakers, this will mean an adjustment. Uganda, Ukraine, Uzbekistan and Uruguay are near the front of the line at these Games. And they are immediately followed by Britain, the British Virgin Islands and then a bunch of nations beginning with the letter E.
So when does the United States arrive? Alphabetical vagaries mean they will be the third-to-last team to arrive, just ahead of France.
Last of all is always the host team, and for these Games that’s Japan. Sadly, the usual roar from the home crowd will be missing when the athletes for the host nation arrive.
The opening ceremony of what is being marketed as the 2020 Olympics finally takes place on Friday night (Friday morning U.S. time) — one year late.
In many ways, the event at Olympic Stadium in Tokyo will resemble opening ceremonies of the past.
But the most remarkable difference is that just like at almost every other Olympic event, there will be no fans. Approximately 1,000 dignitaries and news media members will be there to witness the event live because of strict pandemic restrictions, in a stadium designed to hold tens of thousands of people.
As for the show, organizers as always are keeping mum about which J-pop bands or crossover opera singers will perform. But history gives us a pretty good idea of several things we will see.
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There will be speechifying, mostly about the ideals of the Olympics.
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Thomas Bach, the International Olympic Committee president, will be introduced as a former fencing gold medalist. Probably multiple times.
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Some combination of singers, dancers, mimes and puppeteers will celebrate the history and culture of Japan.
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The spectacle may be a little less spectacular than usual. “Opening ceremonies in the past have been a grand celebration, spectacular,” said Takayuki Hioki, the executive producer of ceremonies for the games. “Rather than those, we have created something with a strong message that will resonate with the audience. It’s more about the emotional connection than the excitement.”
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There will be a parade of nations, and it will be interminably long.
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The Olympic torch will arrive, and someone will light the cauldron. This is the most closely guarded secret of the ceremony, but The New York Times has had a good record of predicting cauldron lighters. This year we offered 10 candidates, led by the four-time gold medal wrestler Kaori Icho. (Bonus early bird predictions: For the 2024 Games in Paris, Teddy Riner; 2028 in Los Angeles, Magic Johnson; 2032 in Brisbane, Australia, Ian Thorpe.)
As of now, the entire event is scheduled for three and a half hours, starting at 8 p.m. Japan time, 7 a.m. Eastern, 4 a.m. Pacific. But past ceremonies have almost always gone over their allotted time.
History lesson, hit parade, massed-forces deployment, nationalist self-definition, tourism ad, auteur-director fantasy, stadium kitsch — Olympic opening ceremonies contain all of those at once. In this century, they have been staged primarily for the cameras broadcasting them worldwide and neatly scripted for foreign audiences. But they still encapsulate the self-image that their host countries want to show — or, at least, what they hope they are showing.
The 2018 Olympics in Pyeongchang, South Korea, called insistently for peace and sought to summon childlike wonder and reverence for nature; it featured traditional Korean sounds at the opening ceremony and saved its internationally popular K-pop stars for the closing. Rio de Janeiro’s opening, in 2016, presented Brazil as a bastion of diversity — portraying Indigenous people and waves of conquest, slavery, immigration and integration — with Carnival at its heart; the percussionist core of its 12 traditional samba schools paraded in costume at the show’s peak.
London in 2012, directed by Danny Boyle (“Slumdog Millionaire”), eccentrically chronicled economic and cultural upheavals in Britain: from green and pleasant pastoralism to grimly industrial capitalist exploitation to hard-partying pluralism, with a lingering fondness for royal pomp and movie fantasies like James Bond and Mary Poppins. Beijing, in 2008, had a C.G.I.-enhanced spectacle (directed by Zhang Yimou) invoking historical achievements and traditional Chinese arts — scroll painting, calligraphy, porcelain — and deploying hundreds of dancers and musicians arranged in giant formations, moving in unison. Athens, in 2004, reached back to archaeology and mythology; it also had Bjork performing her ecology-minded “Oceania.”
The Tokyo Olympics were postponed a year by the Covid-19 pandemic and will now be presented to a minimum of live spectators because of the pandemic. Its turmoil continues, extending to the opening ceremony.
The team that had put together the show intended for 2020 has scattered. This week, Keigo Oyamada, who records as Cornelius and had written the music that was to start the ceremony, dropped out after 1990s interviews surfaced where he boasted about brutally bullying a disabled schoolmate — a very bad look for the organization that also presents the Paralympics. And on July 22, the day before the ceremony, its director, the comedian Kentaro Kobayashi, was removed for past jokes about the Holocaust.
Performers for this year’s opening ceremony have not been announced in advance, although it’s likely to feature the Japanese pop that has found listeners worldwide. How will 21st-century Japan, as nation and culture, show itself to the world? Will it be kotos and kimonos, Kabuki and Bunraku, or anime, video games and J-pop? All of that and more? We’ll see.
You may notice two flag bearers leading each nation into the opening ceremony.
That’s thanks to a rule change and the International Olympic Committee’s new recommendation that each participating nation nominate one man and one woman for the honor. The move is part of the I.O.C.’s push for gender equality, and a high-profile way to demonstrate their commitment. (But it’s not that simple.)
The parade of nations during the opening ceremony is one of the most viewed and beloved parts of the Olympic Games, and being named a flag bearer is a point of national pride for athletes.
For some nations, including China and Mongolia, a woman will be a flag-bearer for the first time. China nominated Zhu Ting, the captain of its women’s volleyball team. Mongolia will have its first female flag-bearer as well, Khulan Onolbaatar, a three-on-three basketball star.
The United States will be led into the stadium by the basketball player Sue Bird and the baseball player Eddy Alvarez, who was a 2014 silver medalist in speedskating.
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